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Library Journal
Reviewed on July 18, 2005
Incest and murder, plus the power and attraction of wealth, provide the menacing and murky background for Hellmann's less than compelling fourth novel to feature Ellie Foreman (after 2004's An Image of Death). The Chicago documentary filmmaker has a way of stumbling into murder and romance, and then coping with their competing demands in entertaining and effective fash...Log In or Sign Up to Read More