Bacon and Sutherland

By Hammer, Martin & Bacon, Francis & Sutherland, Graham Vivian

Publishers Summary:
"Francis Bacon (1909-1992) and Graham Sutherland (1903-1980) were two of the most compelling and influential of modern British artists. This book is the first to consider their artistic dialogue in depth, offering an analysis of the two artists' work up to 1950." "Martin Hammer focuses on the strong stylistic and thematic affinities between their work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Having considered the dynamics of the relationship and their intertwined careers, he goes on to explore how their work expressed the experience of living through the Second World War and witnessing revelations concerning the Holocaust and the onset of the Cold War." "Drawing on the literary production of the period and journals such as Horizon, Hammer reconstructs the two artists' shared immersion in the idea of a tragic art, modelled upon the classical dramas of Aeschylus, and their interest in the possibilities of religious imagery, especially the Crucifixion, as a commentary upon present suffering."--BOOK JACKET.

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ISBN
978-0-30010-796-8
Publisher
New Haven : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, c2005.


REVIEWS

Library Journal

Reviewed on August 15, 2005

Two headliners of 20th-century British art share the stage in this detailed and analytical study comparing their first substantial exhibitions--Graham Sutherland's in 1938 and Francis Bacon's in 1949. Hammer (art history, Univ. of Edinburgh) probes the artists' relationship, styles, and themes as well as their early commonalities and later divergences, including their mutual attraction to Aeschylus and crucifixion...Log In or Sign Up to Read More

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