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Library Journal
Reviewed on February 1, 2002
Martin (philosophy, DePaul Univ.) is an experienced amateur electric bassist with two previous publications in this field (Listening to the Future and Music of Yes: Structure and Vision in Progressive Rock). Despite such ostensibly solid credentials, he misses a golden opportunity to fill a musicological vacuum with a reasoned survey of experimental rock, instead producing an arrogant, blatantly personal manifesto. His scope is ridiculously narrow, neglecting the vast expanse of his chosen subject and devoting half of the text to only five arguably significant but hardly central proponents of "experimental" rock music: Jim O'Rourke, Bj rk, King Crimson, Sonic Youth ("the ...Log In or Sign Up to Read More