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Library Journal
Reviewed on May 1, 1993
It would be an oversimplification to call Sickert the Toulouse-Lautrec of early 20th-century England. His works depicting music halls, urban landscapes, and individuals possess the same vitality his French counterpart captured, yet Sickert has been consistently treated as a bit player in English art history. Now, two new books permit an important reevaluation of his contributions. Documenting 133 paintings, Sickert Paintings proves to be the definitive--to date, at least--exhibition catalog and summary of the artist's oeuvre. The book's texts bring fresh insights in Sickert's...Log In or Sign Up to Read More

