Freedom is, freedom ain't

jazz and the making of the sixties

By Saul, Scott

Publishers Summary:
"In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the civil rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz - and American - history."--BOOK JACKET.

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ISBN
978-0-67401-148-9
Publisher
Cambridge, Mass. ; Harvard University Press, 2003.


REVIEWS

Library Journal

Reviewed on October 15, 2003

Saul (English, Univ. of Virginia) has written about jazz for such publications as the Times Literary Supplement and American Quarterly. In his first book, he aims to achieve two things: to describe the American jazz scene from around 1955 to 1967 and to look at how jazz influenced American culture. This is no small task-musicians such as John Coltrane and Char...Log In or Sign Up to Read More

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