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In recent collections, two-time National Book Award finalist Phillips (Renaissance) has been preoccupied with the weight of the past, but here he surpasses melancholy to present moments of crucial rethinking. "I've pretty much/ been wrong," he says, and calmly, too, as he scans what has unfolded. Throughout, Phillips balances on the knife's edge of regret but doesn't cut himself, acknowledging that "accepting our position, an...Log In or Sign Up to Read More