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First published in 1999, this classic scholarly text examines cinematic representations of anarchism, such as the alternately threatening and bumbling but always fanatically violent anarchist, as well as self-representations including the tendency to depict one's own dissent positively while glossing over uncomfortable facts. This expanded second edition features discussions of poststructuralism and postanarchism, Eurocentrism, films produced in the y...Log In or Sign Up to Read More