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Library Journal
Reviewed on July 18, 2025 | Arts & Humanities
Composer and sound artist Harnetty presents a deeply personal rumination on how he listens empathetically and critically to diverse forms of recordings. This interdisciplinary, inclusive, and intersectional book, with elements of memoir, highlights the distinction between necessary notational music (described as a static approximation of sound) and actual recordings from original wax, wire, shellac, tape, or discs, which Harnetty prefers, as he finds they are seasoned with their own ...Log In or Sign Up to Read More

